luís manuel araújo
[curatorial]
[publishing]
[writing]
proposals for good fortune
I
finally,
it is time to learn new ways.
this covering—
soft, curled, familiar—
will not hold for long.
thin, fraying, failing
do not return after locking up
[exhale=inhale]
do not grip it so tightly it cuts
[the thread undone flows like a river]
do not keep it all forever
[boxes within boxes]
do not take a photo to prove it
[it settles in the lower back]
II
yes, I think it counts as one,
though not quite four.
it faces downward, searching for sun—
still, I think it can help.
I tried to give it water;
when I touched it, it was soft,
collapsing, sticky, coming apart.
this one shifts—
purple to black,
then blue,
pink,
white
the roots,
emerging.
III
I saw you set it aside,
on top of the dear, gentle ladder.
I can feel the grain of the wood
you once described to me.
one day,
I caught myself thinking of your colours.
when you laughed,
I tried to write them down—
but they slipped through my hands.
I smiled.
I’ve been keeping count.
and I think—
perhaps a dozen times.
IV
I heard it—
the sound dripping below.
I crossed field after field,
because you said I would find the answer there.
clouds mirrored in the river before me.
I tried to keep the image still:
the water, the daisies,
white and yellow.
or were they chamomiles?
still, I carried in my pocket
a handful
of those smiling things we used to talk about.
in the shade, I found it:
the opening.
I peered inside.
straightening,
arm outstretched,
I threw one in.
it struck the walls,
an echo rippling outward.
V
you asked me to be gentle.
because I hoped you would watch—
how she thins, how she swells.
yes, I see now—
we wane, we return.
and tomorrow, we cast light.
***
An earlier version of these poems was written to accompany Hugo Brazão‘s exhibition Happily Ever After at Balcony, Lisbon, February 2025